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Editorial news: "Fashion women, Bible dress code"

Fashion women, Bible dress code” is the latest book (well, eBook) written by Massimo Pavanello for the editions of Centro Ambrosiano.
The volume will be published online on the occasion of “Milano Moda Donna” (19th/24th February 2014) and it contains a preface by Mario Boselli - President of the National Chamber of Italian Fashion – and some illustrations made by the young fashion designers Mauro Gasperi, Francesca Liberatore and Lucia Russo.
It is available (Italian and English version) at the price of € 1,50, but it can be downloaded at the special price of € 0,99 during
the whole fashion week (online on www.bookrepublic.it )

Content of the book

The starting point of the text is the clothing of an ideal woman of the Bible, who is wearing veil, cloak, robe, belt and sandals. Each chapter contains some excerpts taken from the Bible where these garments are mentioned.
After the short quote of verses, a caption gives the opportunity to get to know the characters and the themes involved, which are topical themes linked to current events.
So you will discover, among others, the characters of Sulammita, the beloved one, and of Susanna, the blackmailed woman; Ruth, faithful to her mother-in-law and Tabitha the tailor; Judith, the seductive heroine and Tamar, the raped sister; Eve the progenitor and Jerusalem, faithful and unfaithful woman.
At the end of each chapter there’s a comment. The enclosure contains the interview to the young fashion designer Francesca Liberatore. The text closes with an imaginative prayer written by Mgr Tonino Bello: Mary, elegant woman.

Intentions of the author

Massimo Pavanello says: “This book is connected to the Bible like a photo book to a fashion show or like a business card to the history of its owner. They are not much in comparison to what they represent. What’s missing is more than what’s presented. However, the exchange of information, though meager, seems to be a good starting point. And it can be useful to establish a first contact or to reconnect. Yes, to reconnect. Because, for instance, fashion and preaching have already met publicly in Milan, the capital of fashion, at least once. It was 1957. Then, archbishop Giovanni Battista Montini, who then became Paul VI, announced a “city mission”, which involved different social categories besides parishes: magistrates, taxi drivers, doctors, housewives, teachers, motormen… and models.”
This missionary objective is not so different from the one proposed this year by cardinal Angelo Scola in the pastoral planIl campo è il mondo. Vie da percorrere incontro all’umano”.
Pavanello continues: “ I think the fashion industry can offer a precious service to society if it preserves its native roots, which refer back to the “adequate limits” of living (in Italian the word “fashion” is translated “moda”, which comes from the Latin word “modus”); in this sense, the biblical in-depth analysis can be very useful. And I think the fashion industry is deservedly involved in the project of Expo 2015, as the nourishment and the energy for life, besides curious and remarkable examples of fashion food, can also derive from the ordinary combination of the needful and the beauty”.

Some comments

In the history of fashion some liturgical vestments have been considered a source of inspiration by several fashion designers, who have revisited and presented them in their collections, and I think that even in the future fashion, in its stylistic and artistic expression, will continue to draw inspiration from the religious world, which is full of symbols, evocations and suggestions”.
Mario Boselli - President of the National Chamber of Italian Fashion

The garments proposed at fashion shows are not accessible to everybody. But I think that fashion should allow people to dream. On the one hand there’s “ready to wear” (what we put on everyday), on the other hand there’s the magical atmosphere created on the runway. Which clearly distances itself from unscrupulous marketing and anorexic models”.
Francesca Liberatore, fashion designer

I appreciated the involvement of our young generation of designers in this editorial project. I found this experience interesting, as it disclosed some points of contact between faith and women dress code I couldn’t imagine. In connection to the world of art and in relation to the works of Caravaggio and Botticelli, I expressed my creativity working on the verse dedicated to Judith the fighter and veiled Susanna.”
Lucia Russo, fashion designer

Notes about the author

Massimo Pavanello is the regional officer for tourism and free time of Bishops’ Conference of Lombardy and Archdiocese of Milan. Ph.D. in theology, he has always supported the pastoral ministry of journalistic commitment, supervising also some publications in the local area of Milan. He has attended different courses of cooperation and international development at ISPI in Milan.

He has also published: ABC del pellegrinaggio, San Paolo 2011 (with Paolo Sartor); Formaggio e caffè, l’ospitalità missionaria a Belo Horizonte, Marna 2011; San Carlo. Percorsi di acqua, di preghiera, di arte, Centro Ambrosiano 2011 (in collaboration); ABC dell’Expo, San Paolo 2011 (with Cristina Patelli); Post-it sul frigorifero, meditazioni a radio Marconi, manuscript 2009; Rileggere la città, Marna 2008; 15 battisteri della diocesi di Milano, Centro Ambrosiano 2008 (in collaboration); Il mondo sulla curva del lago, giovani cronisti a Ginevra, Editrice Resegone 2007; Dove il postino non suona mai. Reportage da Nairobi, Centro Ambrosiano 2005; I media per l’azione pastorale, Centro Ambrosiano 2002 (university degree thesis).

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